Saturday, April 01, 2006
If it's really such a Namelose Freude, could you maybe shut the hell up about it?
And for the record I have no real opinion on Sunnegardh because I can't tolerate Fideedly-doodlio and was mostly not listening. I mean, is there any uglier writing for the human voice than the two big arias in this opera?
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Seems to me that when Beethoven couldn't settle on one single overture for this thing, he should have gotten a clue and shit-canned the whole opera. One word" "ugh-ly."
Paul von Operablog: thank you for brightening my day by using the verb "to shitcan" with reference to Fidelio.
I still love this entry's title.
Am I the only one who feels sorry for a female singer who has to do her Met debut in an opera by ... Beethoven?
I know it's supposed to be an honor and all, but really! BEETHOVEN?
The poor thing.
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